The print is inked over encased feathers, and was too dark and monotonous in tone and hue. I took a paintbrush with thinned acrylic paint to the background. The digital piece is a transformation of a scanned monotype printing plate, also featuring a feather.
I sketched this piece in water-soluble graphite on board, taking photos of three drafts. I do this for documentation & evaluation, AND because I love the possibilities of digital magic. Often the simpler, rougher sketches are the best basis for digital transformation into new, quite wonderful artworks. These are best online, but can make very good prints also…
I decided to continue with the original, which was pale and ineffective in graphite, and try my hand with acrylic paint. I do use acrylics, but usually work in mixed media, incorporating textures, pieces of prints, etc. such that the paint is a secondary material. Not sure what will happen here!
Of course I am still photographing at every step, and still creating digital versions as I work. The top images are most recent, the images at left are the original photos, and those at right are digitally manipulated.